time    for    :    stupid  meta  about  how  kate’s  phasing  works    ,    since  i’ve  never  really  defined  it    !

phasing    (    v    )    :    the  ability  to  play  with    ,    interrupt    ,    or  otherwise  skew  another  person’s  perceptions    ,    specifically  in  relation  to  oneself  .    i.e.    to  change  one’s  appearance  in  the  eyes  of  another  .

to  utilise  this  ability  is  to  change  someone’s  view  of  the  world  .    it    is    a    specific    form    of    telepathy         -    using  one’s  own  mind  to  play  with  another’s    ,    to  change  the  way  that  someone’s  brain  perceives  the  world  around  them  .

kate’s  specific  way  of  using  this  can  range  from  literally  erasing  herself  from  someone’s  perception    (    thus  making  herself  invisible    )    ,    all  the  way  down  to  simply  blurring  some  part  of  her         -    depending  on  her  reasons  for  phasing    ,    different  variations  will  occur    :    to  obscure  herself    ,    she  can  blur    ,    distort    ,    or  even  erase  her  face  and    /    or  body    ;    to  draw  attention    ,    she  can  literally  exude  light    &&    colour    ,    change  the  brightness  of  her  features    ,    appear  to  be  a  source  of  light    (    think  lightbulbs    ,    fires    ,    the  stereotypical  depiction  of  angels    )  .    as  it’s  a  very  personal    &&    one - to - one  experience    ,    only  those  she  directly  focuses  her  power  upon  see  her  change         -    onlookers  do  not    ,    &&    thus  her  manipulation  appears  very  similar  to  a    HALLUCINATION    ,    or  shared  hallucination  in  the  case  of  multiple         victims       .    when  visible    ,    these  people  can  see  her  as  anything  from  a    slightly    blurred    person    (    as  if  looking  through  someone  else’s  glasses    ;    think  harding  meyer  or  chuck  close’s  work    )    to  a    distortion    of    human    shape    (    certain  features  repeated    ,    inflated    ,  or  misplaced    ,    eyes  on  foreheads    /    cheeks    /    necks    &&    such    ;    think  francis  picabia    ,    kees  van  dongen    ,    once  again  harding  meyer    )    to  an    entirely    formless    being    ,    a  mess  of  swirls    &&    shapes    ,    or  just  plain  colours  as  opposed  to  anything  even  vaguely  resembling  a  human  shape    (    think  pablo  picasso    ,    frank  auerbach    ,    &&    shin  kwangho’s  more  obscure  portaits    ;    andré  masson’s  work    )  .

the  more  severe  the  change    ,    the  more  emotionally    &&    physically  draining  it  is  .    and    it    is         -    prolonged    &&    extensive  use  of  any  of  her  powers  can  leave  her  bed - ridden  for  days    (    this  is  rare    ,    &&    usually  only  occurs  if  she  has  used  her  powers  in  a  specific    ,    strong  burst  for  entire  days    )  .    shorter  strong  bursts  or  long  weak  bursts  can  both  lead  to  less  brutal  side - effects    ,    much  like  the  depictions  of    telepaths    /    telekinetics    due  to  the  fact  that  it’s  a    MENTAL    ABILITY         -    bloody  noses    &&    ears    ,    physically  weakened  body    ,    fainting  spells    ,    short  periods  of  confusion    &&    delirium    ,    &&    occasionally  temporary    ,    short  term  memory  loss  .

 



          the basics of human connective emotion is rooted in childhood. loving parents breed emotionally sound children, unless external or genetic sources play a damaging role; whereas abusive parents, specifically emotionally abusive parents, breed emotionally damaged children.

          the extent to which both of kate’s parents emotionally abused her, in addition to the extent of the sexual & physical abuse of her father, meant that the emotionally formative years of her life were essentially devoid of positive emotion. as a preemptive protective measure, her parents also severely limited any connections kate had with the outside world, & made sure she lied to anyone who asked too many questions. this included extensive blackmail, extensive lying, all to the point of convincing kate that keeping quiet would be her only safe option.

          she was told that if she told anyone, she would be taken away from her parents      - on the face of it, not a bad thing, but the information given to her included that she would be put into care, & that all care homes were far worse places than her current situation. after all, her father had a good job; they were rich & had a lovely home, & even had staff to do the things her parents didn’t want to (cook, clean, etc.). kate’s parents essentially drilled into her, from a very young age, that that was the best she was ever going to get, & that telling the truth would take her from that safety (even if that safety was irrefutably filled with suffering      - it was a known pain, not an unexpected one).

          this keeping her sheltered from the outside world & its dealings also very much contributed to the long held belief that the same kind of abuse happened in every home, that it was normal. having never made friends with other children or spoken truthfully to adults (with the belief that what happened within the home stayed within the home), & never being allowed to watch television, it was a long while before her brain kicked in & told her it was wrong. she suspected from the age of seven (noticing the other kids didn’t have bruises all over their bodies      - maybe their daddies were better at covering them?), but only truly knew from about ten (about a year to a year and a half after her father first raped her). 

          as a direct result, processing affection & positive emotion is extremely complex & difficult. this rears its head in all sorts of friendships (platonic love)      - especially with men      - & very much so in relationships (romantic love). she craves affection & kindness, after never having it as a child, & gets attached very easily, but at the same time, she desperately pushes people away as a defence mechanism. the specific feeling of love, & all associated with it, is very difficult to process      - she is wretchedly unfamiliar with those emotions, & actually physically does not understand them. it takes a long time for her to say i love you, purely because she cannot tell whether or not she does love someone, & she wants to protect people from the brokenness that lives within her. 

          she perceives herself as broken & unlovable, & that her own incapacity to process emotion will break any attachment in which she ever finds herself involved. & therefore, yes      - she does push people away; she does fuck up on purpose to make people want to hate her; she does keep secrets obsessively. all to drive people to leave her. but anyone that’ll stick through everything? those are the people to whom she will become painfully attached, & those are the people whose leaving will wreck her most.

 



also for the record :
the scientist’s methods were very unprofessional / unscientific !!!
he did not follow scientific procedure at all he wasn’t like a hydra scientist or anything like that. he had no funding and no actual credit in the scientific community ; in fact , he was considered insane in the scientific community & was shunned by all who knew anything , & therefore he became obsessed & determined to prove them wrong , driving him to open a secret lab in a rented warehouse which was unsanitary & poorly built. & then he kidnapped homeless kids off the street ( i.e. kate & dylan ) because teenagers are more resilient to physical wounds , & then he’d literally keep them paralysed with ketamine while he experimented on them. & when i say experimented ? that was , again , extremely unprofessional & unscientific. he literally slashed and beat them randomly , & as he was extremely emotionally unstable , the more frustrated he got , the more random & dangerous it became ( hence , him killing one of his subjects (dylan) without a second thought ). in some ways , he was a genius       -  his theories and his serum did get results , technically. it did produce superhuman powers , and it did prove his thesis. but not in a way that any scientific community would accept. his reports were not written in any logical order , but instead in a small leatherbound notebook that detailed all of their progress. kate stole this notebook when she killed the scientist. it’s covered an amalgamation of his, dylan’s, and kate’s blood , & is always hidden in the bottom of her suitcase.

 



Anonymous

What did freedom feel like?

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          six weeks    ,    that’s all they had  .    six weeks of    PARADISE    ,    of    FREEDOM  .    the first day was    terrifying    ,    but    beautiful         -    crying    &&    drinking    &&    smoking together    ,    each covered in their own layer of    BLACK    &&    BLUE    ,    hidden beneath the cloak of the bushes in the park  .    dylan    &&    kate barely said a word that day    ,    mute with their respective depressions         -    but beneath it all    ,    they were    FREE  .

          they walked along the river the next day  .    they had very little else to do in those weeks    (    the river    ;    the forest    ;    the parks         -    the town deemed far too dangerous    ,    lest they were to run into their twats of parents    )  .    a polaroid camera    ,    kate’s father’s credit cards    ,    sleeping bags  .    kate bought nail scissors to cut dylan’s hair short    ,    bought the few foods she thought he’d eat  .    they were both    FREEZING         -    DECEMBER    ,    the coldest england’s had for over a hundred years         -    but they both bitterly slept night after night in hoodies    &&    cheap sleeping bags    ,    offering each other more    &&    both refusing out of kindness  .    everything was    lovely    &&    beautiful    …

          leaving home was the dream she’d never thought herself strong enough to achieve    ,    held back by her father’s strong grip around her wrists    ,    by her mother’s guilt  .    like shackles    ,    strapping her against the walls of that house    ,    against the floorboards    &&    the bedposts  .    running away with dylan gave her    HOPE    ,    hope that the pain    &&    the numbness would all disappear  .    &&    it    DID    ,    for just a while         -    for those six weeks  .

          neither of them had any plans for the future  .    somehow    ,    both expected the world to just keep spinning around them    ,    inevitably    ,    bracingly  .    they talked about it though         -    how they’d be    HAPPY    ,    how they’d be    UNHURT  .    for all kate    &&    dylan cared    ,    as long as they were free    &&    together    ,    ANYTHING    could have happened  .

          it ended far too quickly  .

          kate remembers it fondly    ,    muted head hanging low  .    she supposes the world she lives in is    TECHNICALLY    FREEDOM    ,    but she still feels great bricks tied to her ankles    ,    dragging her through the floor  .    this doesn’t feel free    ,    this doesn’t feel         -

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                         U N R E A L  .     ’        /    x

 



fuck !

hold your breath. bleed. give up.
NOW GET THE FUCK UP AND KICK ASS.

holy shit !

KATE LEWIS.
FOUL-MOUTHED MOTHERFUCKER.

motherfucker !

independent fandomless original character.
written by spence.
est. 19.10.16.